Review: LaBoeuf explores his troubled childhood in ‘Honey Boy’


By Lindsey Bahr | Associated Press

“Honey Boy” will break your heart.

It hardly matters if you’ve never given a second thought to the circumstances of Shia LaBeouf’s life, his childhood or his rocky early adult years. But this is the kind of universally moving work that can only emerge from something immensely specific and personal.

In the broadest sense, it’s a portrait of a boy whose father doesn’t, or can’t, love him the way he needs. But broad isn’t the point. The salacious tabloid sell is that LaBeouf wrote this script about his life while in rehab. It was therapy, but besides the location, it’s not terribly unique that a storyteller might get some personal catharsis. What separates “Honey Boy” from the standard confessional is the heart, precision and artfulness that LaBoeuf and director Alma Har’el employ to tell this story.

A key element that makes this endeavor so brave and empathetic is that LaBeouf plays his own father, who in other hands may not have been rendered in such a complex and nuanced light. His father is a Vietnam veteran, a registered sex offender and drug addict who also played manager to his son’s acting career. In the film his name is James Lort. He’s got a receding hairline, John Lennon glasses and is emotionally and physically abusive to his kid, who he also clearly loves and cares about. He uses a motorcycle to transport his 10-year-old son Otis (played with a stunning worldliness by Noah Jupe) to and from the television show he’s starring on (a stand-in for Disney’s “Even Stevens” which LaBeouf started acting in when he was around 10).

A motorcycle is obviously a terribly precarious way to transport a young kid (and, cynically, your only source of income) on the treacherous freeways of Los Angeles, and yet these scenes …read more

Source:: The Mercury News – Entertainment

      

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