The poets’ home: how one small, heroic publisher shaped modern poetry


Samuel Beckett in Paris, 1960

Founded in 1967, the pioneering Enitharmon Press established a new poetry world.

Some books make little impression, others earn our respect. And others again make us greedy not just to read but to own them and return to them time and again. Enitharmon’s aptly titled The Heart’s Granary belongs to this last group. Beautifully produced, and with “poetry and prose from 50 years of Enitharmon Press” bursting the seams of its 380-odd pages, it’s an anthology designed not to prove a theory or establish a canon, but to celebrate the work of one of our most remarkable small publishers.

Enitharmon is well-known for its wide-ranging poetry list, but there’s plenty of prose here too. I particularly enjoyed this section of The Heart’s Granary, a tight-focused, characterful set of extracts from, among others, Sebastian Barry, Edward Thomas and Edmund White. There’s also extraordinary artwork. Alongside his literary list, Stephen Stuart-Smith, Enitharmon’s editor for the last 30 years, has run Enitharmon Editions, publishing many of the major names in postwar British art. Peter Blake, Gilbert & George, David Hockney, RB Kitaj and Paula Rego have all worked with him, and are represented in here alongside recouped treasures from David Jones and Gwen Raverat. Also among the colour plates are stunning cover designs from the press’s half century.

So this book is an unusually beautiful object. But its beauty shouldn’t detract from its seriousness. Enitharmon was among the crop of independent poetry publishers that sprang up in the 1960s and 1970s. Poetry was then passing through one of its phases of heightened popularity – it was the era of the Liverpool poets, and of 1965’s International Poetry Incarnation gala at the Albert Hall – just as trade publishers began to trim their lists. Together with Anvil (also founded in 1968), Carcanet (founded a year …read more

Source:: New Statesman

      

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